An autobiography of a musician who, as a founding member of the avant-garde group Throbbing Gristle, has consistently challenged the boundaries of music over the past four decades. It is the story of her work as a pornographic model and striptease artiste which challenged assumptions about morality, erotica and art.
The selfie adopted the machine-made aesthetic of postmodernism and then adapted it for the worldwide Internet audience. It is both online and in our real-world interactions with technology that we experience today's new visual culture. Our bodies are now in the network and in the world at the same time. Nicholas Mirzoeff