In his latest book, Takay presents photographs that pay homage to the creative power and style of the great Japanese designer, Yohji Yamamoto. Fluence was shot primarily in Tokyo, Japan. In it, Takay has captured the magic and mystery of artistic forces and his native country. The images in Fluence are shot in black and white which punctuate the subject and the black designs and silhouettes of Yojhi Yamamoto's clothing. The subjects in the book are some of Japan's most accomplished creatives, actors, musicians and models. The locations hark back to Japan of the 1980's, the end of the Showa era. Takay subconsciously chose locations that reflect this, the era he lived in prior to leaving Japan. These previously unseen photographs blend the Japanese landscape with the transformative power and energy of the people and the archive collection. The seed for this book was planted many years ago at the start of Takay's career when he worked with Terry Jones on a Yohji project, and came to fruition after he was offered the use of the Yohji Yamamoto archive collection which spans 40 years of design. In Takay's opinion, Yohji Yamamoto's designs have a strong avant-garde, masculine style, mixed with a strong Japanese sensibility and elegance. When he began his project, he thought about what he could do with the clothes but while working with the people dressed in the collection, there was a transformation visually for him, which inspired him to create the images in this book.
'In a work called Auge/Maschine, Harun Farocki coined the term "suicide camera." Auge/Maschine shows cameras mounted to the tips of missiles during the first Gulf War. The camera would broadcast live until it exploded. But contrary to all expectations, the camera was not destroyed in this operation. Instead it burst into billions of small cameras, tiny lenses embedded into cell phones. The camera from the missile exploded into shards that penetrated people's lives, feelings, and identities, skimming their ideas and payments.' Hito Steyerl: Duty Free Art