'We are not artists nor musicians.' We are workers. Ignoring nearly all rock traditions, experimenting in near-total secrecy in their Dusseldorf studio, Kraftwerk fused sound and technology, graphic design and performance, modernist Bauhaus aesthetics and Rhineland industrialisation - even human and machine - to change the course of modern music. This is the story of Kraftwerk the cultural phenomenon, who turned electronic music into avant-garde concept art and created the soundtrack to our digital age.
The selfie adopted the machine-made aesthetic of postmodernism and then adapted it for the worldwide Internet audience. It is both online and in our real-world interactions with technology that we experience today's new visual culture. Our bodies are now in the network and in the world at the same time. Nicholas Mirzoeff