...And in the title story, Suzuki offers readers a tragic and warped mirroring of her own final days as the tyranny of enforced screen-time and the mechanistion of labour bring about a shattering psychic collapse. At turns nonchalantly hip and charmingly deranged, Suzuki's singular slant on speculative fiction would be echoed in countless later works, from Margaret Atwood and Harumi Murakami, to Black Mirror and Ex Machina. In these darkly playful and punky stories, the fantastical elements are always earthed by the universal pettiness of strife between the sexes, and the gritty reality of life on the lower rungs, whatever planet that ladder might be on.
'In a work called Auge/Maschine, Harun Farocki coined the term "suicide camera." Auge/Maschine shows cameras mounted to the tips of missiles during the first Gulf War. The camera would broadcast live until it exploded. But contrary to all expectations, the camera was not destroyed in this operation. Instead it burst into billions of small cameras, tiny lenses embedded into cell phones. The camera from the missile exploded into shards that penetrated people's lives, feelings, and identities, skimming their ideas and payments.' Hito Steyerl: Duty Free Art